Very often I find myself wringing my hands and trying to figure out what’s wrong with this country. This week marked another failure of popular American culture when we collectively decided to disregard the 30th anniversary of a true cinematic masterpiece: Fast Times at Ridgemont High.
On August 13th, 1982 Fast Times entered theaters and changed things. The movie’s impact may have been subtler than other groundbreaking films, but make no mistake, it made its mark on the industry. For one, this hilariously honest depiction of the highs (pun intended) and lows of modern teenage life basically created the teen movie genre. Name all the teen movies you remember that were released pre-Fast Times. Now think of all the ones that came out afterwards. Without this seminal film there is no Sixteen Candles, there is no Breakfast Club, there is no Ferris Bueller’s Day Off… in essence there is no John Hughes. And how could we have had the ‘80s without John Hughes?
Fast Times was the beginning of Cameron Crowe’s film career as well as the big break for several prominent actors. Sean Penn, Jennifer Jason Leigh, Forest Whitaker, Nicolas Cage, Anthony Edwards, Judge Reinhold, and Eric Stoltz all roamed Ridgemont’s hallways and went on to have lengthy careers. Many of these thespians won Academy Awards, and Phoebe Cates got to marry an Oscar winner.
Part of the reason Fast Times holds up so well, despite being so incredibly rooted in ’80s pop culture, is because it takes teenagers seriously and deals with universal American experiences that are as real today as they were in 1982. The movie tackles frank subject matter most filmmakers don’t have the balls to put in today’s teen movies. Sex, masturbation, abortion, blow job lessons…
The only way you’re allowed to address teenage sexuality in contemporary cinema is if one of your teens is a vampire who’s too physically powerful to actually have sex with his mortal girlfriend. And the fornication that takes place in Ridgemont isn’t mature or sexy or romanticized. It’s awkward and ugly and awful. In other words, it’s just like actual teen sex. Every viewing of this opus reminds us of our own sexual awakenings and how horribly un-erotic sex can be with an “audio consultant” in a baseball dugout.
Yet despite this movie’s endurance and contribution to our popular culture, I haven’t heard bubkis about its anniversary. The closest thing to a tribute I’ve seen was Yahoo’s half-assed “where are they now” piece. Hey, Yahoo… I know what Sean Penn is up to. He’s pretty good at letting us know. And I just assume Judge Reinhold is desperately trying to get Beverly Hills Cop 4 green lit.
Where’s the respect? Where’s the media coverage? Where’s the special edition Blue Ray that’s overrun with cool features and documentaries? Where’s the commemorative coffee table book? Where’s the collectible chess set? Where’s the usual Hollywood shamelessness that milks historic movies for every last dime on its anniversaries?
Maybe I’m alone on this. Maybe I’m the only one who wishes we’d had a reasonably worthwhile tribute this week to Fast Times at Ridgemont High. Well, me and the guy who played Mark Ratner. That guy could really use the paycheck.